In New Orleans the streetcar was taken out of commission in 1948. Tara Fitgerald’s exceptional portrayal of Blanche Dubois parallels the fading, extinction of the streetcar.

Both objects of desire, unable to adapt to the post war developing world, their nostalgic and deeply romantic values are destined to fall.

The play is set during 6 months, from May to October yet the momentum is rapid and the actors’ strongly defined characters and relationships grow in intensity.

The set, designed by Tim Streader, mirrors the oppressive, steamy atmosphere. Based in Stella and Stanley Kowalski’s deteriorating and cramped home, you can almost feel the stifling heat.

The rooms are run-down and decaying, the bold orange glow of the street lights endorses the sense of claustrophobia and contrasting light and dark scenes provide clear indications to the characters’ state of mind.

Costume designer Christopher Oram dresses Blanche Dubois in virginal pale colours one minute then covers her in a vibrant red, sensual dressing gown the next, symbolising the juxtaposed confusion of her character, while John Sharian’s superb portrayal of Stanley, symbolising the changing world, exudes a powerful, manly presence strutting around the stage bare chested and sweaty.

Blues fans are in for a treat with the superb renditions of Stella’s neighbour Eunice Hubbel, sung by Clare Malka.

Desire is the key - Blanche’s desire for love and protection from a cruel new world, the animalistic desire of Stanley, the ultimate consumer, and Stella, played by Kate Isitt, who desires to be consumed.

The packed house in the intimate Old Vic were truly enthusiastic -a production not to be missed.

Marianne Fraser

A Streetcar Named Desire at the Bristol Old Vic until Saturday 14th October Monday-Wednesday 7.30pm Thursday-Saturday 8.00pm Thursday and Saturday 2.30pm 2000